Leather dye - Leather color - Leather colour
- 1 Leather Colour - Leather Colour - Leather Dye
- 2 Dyed leather
- 3 Finish - Surface binder-based pigmentation
- 4 Painting on leather - Printing on leather
- 5 The colouring of the hair on hides and fur
- 6 Coated leather - Laminated leather
- 7 Additional information
- 8 Problems of leather colourations
- 9 Video about the colour restoration of leather colour damages
- 10 Video about colour separation of leather and dye transfer from leather
- 11 Video about the peculiarities of metallic effects on leather
- 12 Video about leather production
Leather Colour - Leather Colour - Leather Dye
The initial colour of a leather is dependent on the tanning agents used. Tannins of plants give the leather a brownish tone, fat and oil tanning makes leather yellowish, while tawing with alum and synthetic tanning agents give the leather a whitish tone and chrome tanning makes it bluish-greyish. After tanning, the leather is dyed to meet customer demand for colourful leather. In the colouration of leather, two main colouring methods are distinguished. The first process involves dyeing the leather with dyes and the second one involves pigmentation of the surface with binder-based colours.
After tanning, most leather is first dyed through completely. This is done in dye stuff (liquid dye like ink for colouration of textiles). For this purpose, the leather is immersed in a dye bath in rotating barrels (= drum dyed). The dye has to be fixed and excess colour has to be rinsed out to prevent dye transfer from leather.
Aniline dye is a transparent liquid which is absorbed by the leather without forming a coating layer. All absorbent leather types (suede, nubuck and aniline leather) are dyed this way. Top-grained absorbent porous leather is called aniline. But also, most pigmented (with coating layer) leather is first dyed through.
Since these dyes are transparent, they can only be used to dye a darker shade. Aniline dye is usually referred to as "aniline colour". Previously, azo dyes were used as aniline paints. However, use of azo dyestuff (coal tar dyestuffs) is no longer allowed as it is harmful to health.
Components of the leather colouration and the finish.
Smooth leather, which does not receive any additional pigment-based colour layer on the surface, is called aniline leather. Such leather is dyed, but has no other protective colour layer on the surface.
Nubuck and suede are only dyed. Sometimes, patterns are printed and embossed on nubuck. In the area of printing, it is then pigmented and smooth. Such embossed nubuck was very popular with furniture in the 90s.
Smooth leather is dyed so that mechanical damages to the finish has a similar colour tone in the area of the damage. Such leather is called drum dyed. Where the surface colouration does not correspond well enough with the dyed through colour, or is ignored for reasons of cost, it is regarded as leather of poorer quality. Nevertheless, scratches are almost always visible due to the refraction in the area of damage. But with nearly the same colouration, it is less severe than in the case of deviant colourations.
Non dyed through leather and dyed through leather.
These leathers were not dyed at all, or not suitable for dyeing.
Most leather has the same colour on top and inside. But deviations are sometimes desired. It is because the leather is multi-coloured (e.g., antique leather), or because it is a desired design element.
Typical antique leather.
Leather damages always become visible. Only with strong contrasts is it a deterioration.
Signs of wear are always visible. Colouration throughout does not prevent this.
This leather is not dyed through. The dye was only sprayed on the top. This is a sign for cheap and low quality leather.
This leather was first dyed black and afterwards dyed dark brown. This is a rare method. The reason may have been the reuse of leftover black dyed leather.
Extreme case: This sheep leather jacket was first sewn and then the white leather was coloured grey. The post-corrections are very spotty.
Sensitive leather that can get wet and dirty easily is treated with a protective pigment layer on the surface after the dyeing. This is usually sprayed on. Almost all car leather, furniture leather, but also bags, clothing and shoe leather often have a protective pigment layer on top of the grain side. This pigmentation is usually recognised by the fact that a drop of water rubbed into the leather does not penetrate the surface.
Colouring old and damaged leather in the workshop. In the tannery it is dyed with rotating spray heads.
Depending on the thickness of the applied pigment layer, smooth leather is referred to differently.
- No pigment based top colouration: Aniline leather
- Little pigmentation, but hair pores still well recognisable: Semi-aniline
- Thick colouration and hair pores only little or not recognisable: Pigmented leather.
Aniline leather may have a pigment-free coating of a maximum thickness of 0.01 mm (= 10 micrometre). A normal pigmentation has a thickness of 0.035 to 0.04 mm. For automotive leather, the thickness of the colour layer is 0.1 mm. Above 0.15 mm thickness of the coat, the leather must be referred to as "coated leather".
Pores are hardly recognisable. A heavy colour layer is on the leather surface. Only a leather consultant or expert can investigate whether this leather still may be referred to as semi-aniline leather.
With pigments, almost all leather paints can be mixed. There are leather colours with luminous effects or metallic effects. A transparent protective coating called Top Coat, is also applied onto the pigment layer. It controls the resistance and gloss of the leather. A pigment layer on a leather makes it less soft. A pigmented leather feels colder. Therefore, the tanner always has to decide whether the leather should be easy to maintain or be haptically beautiful. It isn't possible to have a leather that is both "buttery soft" and "easy to maintain" at the same time according to the present state of the technology.
Most pigmented leather is still dyed through in the same shade under the pigmentation. This is done to prevent signs of use having too much contrast. However, the optical perception of wear cannot be completely prevented.
Basic colours of pigment-based colours for leather (available at www.colourlock.com).
Colourful colouring in the leather workshop.
The colouring of the hair on hides and fur
The leather cannot only be dyed or coated with colour, but also the hair in the skin can be coloured for design purposes. The hair side of cowhides is usually processed this way.
Coloured hair of a cowhide.
Rather cheap leather is foil-coated.
- Painting on leather
- Printing on leather
- Crackled leather - Crackle finished leather
- Metallic leather
- Ironing leather
- Glazing leather
- Gloss of leather
Problems of leather colourations
- Leather with stains caused by glue migration
- Dye transfer from leather
- Colour separation of leather
- Typical PU leather damages
- Flamingo effect: Reddish discolouration with light furniture leather in hidden areas
- Bronzing: Metallic glimmer on new leather
Video about the colour restoration of leather colour damages
Colour refreshments for car, furniture and bag leather
-> COLOURLOCK - TREATMENT OF FURNITURE LEATHER
-> COLOURLOCK - REPAIRING COLOUR DAMAGES ON CAR LEATHER
-> COLOURLOCK - TREATMENT OF LEATHER CASES AND BAGS
-> In German: www.lederzentrum.de
-> Rest of the world: partners worldwide
Video about the peculiarities of metallic effects on leather
Video about leather production
|Process steps in the leather production|
|Storage - soaking - liming - fleshing - splitting - pickling - tanning - neutralising - withering - sorting - shaving - dyeing (through colouring) and fatliquoring - drying - finish - softening - final check|